DebbieSnacks
05-22-2006, 02:26 PM
I'm talking about the internet.
Specifically, the viability of legal distribution over the internet, and how it should be used to make sure artists get their fair share.
Both iTunes and Napster are offer 'buy online' deals, with tracks for 99c and albums for 9.99. (i mention the prices only because they're EXACTLY THE SAME). iTunes is better known, wheras Napster's allowing five free listens of a song without paying.
The question, however, has nothing to do with either of them specifically. They could be 'music-that-you-listen-to.com'
Will this kind of online *legal* music sharing - from artist to label to site - become accepted modus operandi, or will it be - to the dismay of failing artists, or artists who fail now but who rely on royalties to support their future lifestyle - pushed out entirely by free downloads? (unfortunately, at least with iTunes, the artists only get 11 cents per .99c track...)
Things like BitTorrent and Grokster are very, very difficult to catch or put out of operation, simply because they don't rely on a middleman to function. The question is, of course, will even they fall through when artists fail to make enough money to actually survive? Will composed music be delegated to a nonpaying, hobbyist-only occupation?
And what will that mean for the quality of music? Will it improve, because of improved accessibility and demand for private media? Or will it degrade, due to a lack of funding towards specialized artists?
How could this business be run? What would be the best way to keep up viability for artists - rewarding more popular ones instead of the ones that happen to get picked up by a label, perhaps?
Specifically, the viability of legal distribution over the internet, and how it should be used to make sure artists get their fair share.
Both iTunes and Napster are offer 'buy online' deals, with tracks for 99c and albums for 9.99. (i mention the prices only because they're EXACTLY THE SAME). iTunes is better known, wheras Napster's allowing five free listens of a song without paying.
The question, however, has nothing to do with either of them specifically. They could be 'music-that-you-listen-to.com'
Will this kind of online *legal* music sharing - from artist to label to site - become accepted modus operandi, or will it be - to the dismay of failing artists, or artists who fail now but who rely on royalties to support their future lifestyle - pushed out entirely by free downloads? (unfortunately, at least with iTunes, the artists only get 11 cents per .99c track...)
Things like BitTorrent and Grokster are very, very difficult to catch or put out of operation, simply because they don't rely on a middleman to function. The question is, of course, will even they fall through when artists fail to make enough money to actually survive? Will composed music be delegated to a nonpaying, hobbyist-only occupation?
And what will that mean for the quality of music? Will it improve, because of improved accessibility and demand for private media? Or will it degrade, due to a lack of funding towards specialized artists?
How could this business be run? What would be the best way to keep up viability for artists - rewarding more popular ones instead of the ones that happen to get picked up by a label, perhaps?